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Don Giovanni (2019)

What is this flame that compels Don Giovanni to seduce, subjugate and conquer women one after the other, with the fervor and cold indifference
of a predator securing his prey; to pursue through his conquests some obscure and ever-elusive objective? For his second collaboration with Da
Ponte, Mozart was to brand the history of opera with a hot iron and forever haunt European culture. In this Libertine Punished, Kierkegaard
invites us to hear “the whisperings of temptation, the whirlwind of seduction, the silence of the moment”. The Mozart-Da Ponte cycle continues
with a Don Giovanni entrusted to director Ivo Van Hove. In the wake of Boris Godunov, the director, accustomed to examining the political
meaning of works, presents his second production for the Paris Opera.

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