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Godzilla: King of the Monsters (2019)

The new story follows the heroic efforts of the crypto-zoological agency Monarch as its members face off against a battery of god-sized monsters, including the mighty Godzilla, who collides with Mothra, Rodan, and his ultimate nemesis, the three-headed King Ghidorah. When these ancient super-species—thought to be mere myths—rise again, they all vie for supremacy, leaving humanity’s very existence hanging in the balance.

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"The tussle for power between giant monsters and humans is a timeless theme, tackled by the likes of Transformers, Jurassic Park and Pacific Rim franchises with varying degrees of success. The problem with Hollywood’s latest take, Michael Dougherty’s reimagining of the Japanese studio Toho’s famous kaiju series, is not its predictability, but its utter gracelessness."

"The beloved movie monster Godzilla both goes big and goes home in this sequel to the 2014 “Godzilla.” For those of you who haven’t been keeping your scorecards updated, that movie was a reboot of a reboot, the uninspiring “Godzilla” of 1998."


"If there’s one positive outcome from Godzilla: King of the Monsters, the summer’s first inarguably bad blockbuster, it should be that the marketing team at Warner Bros receives a monstrous raise. On paper, the $200m sequel seemed like an unnecessary addition to 2014’s soulless reboot, a recklessly expensive extension to a franchise-restarter that no one cared for."


"If there was an overriding complaint with Gareth Edwards’ 2014 Godzilla reboot, it was a surprising lack of screen time for its titular mutant lizard — the director’s admirable attempt at restraint instead resulting in a Godzilla film that barely featured any, well, Godzilla. Krampus director Michael Dougherty’s sequel, Godzilla: King Of The Monsters, feels like a direct address to that issue, introducing more of Toho’s classic creatures — from Mothra and Rodan, to three-headed dragon King Ghidorah — for the big guy to brawl."

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